11 January 2012

Heaven

Helgard suggested that I re-post my piece on Heaven here in the GM blog - I suppost it's not plagiarism >.<!!!

"It's holiday-time, marking the border between my fifth and sixth years at university. Summer is inching closer and that hotness is returning to the air. New leaves are coming out everywhere and everything is the bright, new green that I love. The feeling of Summer approaching is unmistakable. It seems almost especially significant that the time of year which sees most exhausted and hopeless people coincides with the season change at which it finally stops raining, at which the sun warms up the air, the colours come out and the work-load seems to relent. You are given physical evidence that the end of the year is in sight, that the beaches and outdoors and summer nights await you with some chance of childlike, care-free relaxation and adventure.

It must be chance that I associate the hot air, the bare skin, the late nights, the adventure and the feeling of utter contentedness with one another, but somehow I can't imagine the slow-down coupled with the coming of winter as I do with the coming of summer. So thank you, South Africa. Thank you, Western Cape and Stellenbosch! Right here, right now, everything feels just right.

The thrill that runs through me because of this is truly a strange feeling: indeed, one I have consistently conditioned myself never to expect to experience. This conditioning is an absolute discipline: reminding and training myself in the firm belief that it's Hollywood stuff. It's the stuff of imagination, senseless media propagation of irrational societal ideals - a fairy tale. For years, I firmly believed, with every ounce of my being, that this unequivocal, pure hapiness does not exist. Lurking in my soul, in the home of my heart, in the very grammar of my being, was the knowledge that in my every smile there is a secret tear; in my every laugh there is a cry of anguish; in every hope there is a fear; in every love, a vicious hate; in every kind act, anger. Wasn't it proof enough that I should experience, almost as real as if someone twisted a sword into my ribs, such a stab of darkness in every would-be perfect moment? There it was: an intense distrust of life, stubbornly lodged inside me somewhere. It would not be soon that I lay bare once again the fabric of my soul before the jaws of the world. Can one avoid being bitten? No. But it's possible to get by expecting a good mauling now and again, simply learning to get up and get cleaned up again, scavenging for scraps of happiness and meaningfulness during the in-betweens.

I remember one such incident: it was Christmas eve, about three years ago. My father had been dead almost three years. The family was gathered on the farm, the christmas tree was up, heaps of presents under the tree, all the doors and windows of the house wide open and inviting in the friendly chirrups of the crickets and night-animals outside. My uncle, my father's younger brother, was just in remission from lung-cancer. His manner of speaking, of telling jokes and making facial expressions reminded me so much of my father. There was a dull aching, a longing I could feel physically, in my chest. Our large family was congregated about the living room, some watching TV, some reading, most engaged in the animate conversation. When my uncle put his head back and laughed, I couldn't help but smile. I was with my family and though we were many, we were one. I looked at his face and felt such overwhelming love for him. And then, almost at once, a dread came over me that I could barely comprehend. He was going to die anyway. We all were.

Such a sad way to live, and yet my happy moments had been peppered by such darknesses.

Recently, however, I've had this strange sense of waking up coming over me, of coming to from deep and numbing sleep.

When I was still a child, before my father was ill, I remember having the distinct feeling of never being quite where I wanted to be. I don't think I knew exactly where I did want to be, but somehow I just knew that I wasn't there. In my final year of school, a year after my father had died my urge to leave home was overwhelming. I needed to escape as much as I needed air to breathe. The moment came and I was out of there like a racehorse bounding out of his box on the tracks - I intended to leave behind the city where I grew up, all the people in our little home-schooler-and-church community, the house of my childhood which at the time bore only terrible memories of my father's illness. I could just sense it: instinctively, I knew I was getting closer to what I needed. It was to be long journey, though. My first and second year at varsity were coloured with religious experiences that were repeats of every horrible, degrading experience I'd had all through my adolescence, affirming that I hadn't run far enough. Third year came and I'd finally ditched all of the old: the geographical restraints of a poluted city, the complicated, co-dependant relationship I'd dragged to varsity from high-school, the fundamental, religious framework, the guilt and the fear of being judged.

Now, looking through a branch of newly-green leaves, out to the purple mountains beyond - right from my balcony... listening to the coo-ing turtle doves that take me back to Oupa and Ouma's slate porch of their house in Wellington, the air sweltering hot, but the shade of the massive oaks somehow cool and their smell distinctly sweet... the rich blue sky... the reds, yellows, light-and-dark greens of the trees and vineyards... feels just right. For me, Coldplay's new song expresses this story so beautifully:

When she was just a girl
She expected the world
But it flew away from her reach so
She ran away in her sleep and dreamed of
 Para-para-paradise  
Every time she closed her eyes  
When she was just a girl
She expected the world
But it flew away from her reach and the bullets catch in her teeth
Life goes on, it gets so heavy
The wheel breaks the butterfly
Every tear a waterfall
In the night the stormy night she'll close her eyes
In the night the stormy night away she'd fly and dream of
Para-para-paradise 
And so lying underneath those stormy skies
She'd say, "oh, ohohohoh I know the sun must set to rise"
This could be Para-para-paradise


Heaven...

My beautiful Stellenbosch, embraced by the mountains, painted streets hemmed with trees, gabled houses, people on foot and bike, cafes and resturaunts - run by their owners - serving the kind of food that makes you aware of the fact that you're happy to be alive, reminds you that there are yet flavours and combinations of flavours to be tried... a community of thinking, wondering, discovering individuals... finally, a community for me: a place I go willingly and eagerly to meet my peers - whether they are the age of my grandparents, parents or siblings, whether they are ministers, students, pensioners - to talk about life in all its wonderful strangeness, and just to be.

A place that has finally welcomed me in for what I am and pretends to be no other than it is. And finally, life feels just how it should, how I somehow knew it could - I feel the way I'd been waiting all my adolescent life to feel and I am utterly amazed that I have indeed found the space to feel this way, when it could so easily have slipped by me. I am becoming more myself everyday. I daresay I am growing to fill the space that I am. Or perhaps it's better to say that I've finally been given the space to be what I've always longed to be: unashamedly and unhinderedly myself. And I am loved for that.

I am no longer captive to sorrow, to ridiculous social and religious expectations, and to fear. Indeed, when you come into a place where there is vibrant, natural life all around you, where there is growing and learning and openness, where these qualities are not only present, but valued as a lifestyle and a culture, the dead cannot but come back to life.

There's this one song by Mae of which some of the words are as follows:

"I can feel something different for the first time.
Heaven made sense, and all the words rhymed.
And now I'm cuaght in the air, it's a good life..."

This time of year, you're generally so tired, you feel you couldn't go on another day and the cold, the rain and the clouds seem to have soaked into your very soul. But then, suddenly, you wake up one morning and the chill is gone out of the air and a green leaf is budding on an otherwise dry branch right outside your window...

Then, almost despite yourself, you feel energised and happy. Your mind is filled with thoughts that are simultaneously memories and hopes: anticipation of things made new, based on all the years preceding; a reminder; a knowing that there is something good on its way.

And suddenly, the long winter falls from your body like a dead skin and you can hardly recall it. The world says "yes" to you, just as you are. For the summer, along with the renewal that it brings, comes to you, whoever and whatever you may be - indiscriminately, it kisses you, embraces you, loves you, and blesses you with every promise of things made new: another year, another chance.

And suddenly, you know what grace must be. You've never quite understood it, but suddenly you comprehend altogether what it feels like. And then you want to fall on your knees and cry and cry and cry because the power of the revelation is just too much.

How could something that I've spent nearly my entire life trying to understand be so incredibly simple and comprehended in but a moment of sunshine? - That is a mystery; that must be heaven.

And so, you see, it doesn't matter that I no longer believe in heaven as a place I will go after I die. For I believe in heaven on earth, and I have tasted the grace of God:

It is life"

19 December 2011

Heaven

Dear Everyone!

I think for most of us, our holidays haven't reached the half-way mark, and yet I find myself truly missing you, and truly missing Grey Matters. It can't be said in words how much the friendships I've found in you have caused me to love and to hope. All I can really is "thank you" - and that's saying too much and too little all at once! I hope next year will favour us again in the same way... or perhaps it will choose to favour us in a different way. Hopefully we'll be experiencing it together.

Have a blessed Christmas.

And then, in celebration of the wonderful way I feel, I'd like you invite you all to read my own blog entry "Heaven". And, as always, feel free to comment!

Much Love
Erin

29 November 2011

Grys máák saak ...

So ʼn tydjie terug het ek besef hoe belangrik die grys dele van die lewe is.  Ek was siek en sat vir cliché antwoorde wat my vrae versmoor en het begin smag na ʼn plek waar almal net kan erken die lewe is grys en klaar!  Swart en wit is so laas jaar en blykbaar is grys in elkgeval die nuwe pienk.  Die lewe is ʼn mengelmoes en als is subjektief.  Wat nog gepraat van God!  In hierdie nuwe besef wou ek vir ʼn tydjie rus, ver weg van al die klaviersleutels en skaakborde daar buite.
Dis toe dat ek ʼn groep mense ontmoet wat daarop uit is om juis díe ‘grysheid’ van die lewe te vier.  Grey Matters noem hul hulself en sê daardeur dat jy maar jou grysstof (grey matter) kan gebruik om eerlike vrae oor God en die lewe te opper.  Hulle sê: “grys maak saak” (grey matters), en kom daarom rondom die gryserige sake (grey matters) van die lewe byeen wat ons gewoonlike vermy.  Met my nuwe grys fetish kon ek nie wag om by hulle aan te sluit nie.
Groot was my teleurstelling egter toe ek een aand daar opdaag.  In plaas van grys word ek deur ʼn hele reënboog kleure ontmoet.  Die byeenkoms was een waarin mense eerlik met hulle eie oortuigings kon omgaan en by mekaar kon leer.  Die plek het oorgeborrel met kreatiwiteit en daar was iets vir elke sintuig.  Waar ek my net in my eie melankolie wou verlekker, was ek uitgenooi om nuwe ruimtes vir lewe te ontdek.  Vir ʼn postmoderne denker soos myself was dit net te erg.  Hulle het duidelik nog nie die volle omvang van die grysheid gesnap nie!  Hulle ontmoet blykbaar steeds al om die ander Donderdag-aand in die Hofmeyrsaal, maar jy sal my nie weer daar sien nie.
Gegroet met ʼn gry(n)slag,
Vaaljapie

(Hierdie bydrae het oorspronklik in die Stellenbosch Moederkerk gemeenteblad (2011) verskyn)

25 August 2011

Something Small on Daoism



This diagram is known as the Tai Chi Tu, which is used in Daoist philosophy to conceptualise the flow of energy in the world. The black is referred to as Yin, which represents associations like "dark", "cold", "female", "negative" and "latent". The white is referred to as Yang, which represents associations like "light", "warmth", "male", "positive" and "active". It is a common mistake of westerners to make the jump and assume that Yin is evil and Yang is good. This kind of thinking should be avoided. It is very important in Daoist philosophy that there is no ultimate truth in concepts like "good" or "evil": while it is acknowledged that concepts such as good and evil do exist, they are social constructs that have been invented by society to regulate the behaviour of its "unenlightened" members.

Because Daoists do not believe that good and evil exist as universal truths, they do not believe in notions of "heaven" or "hell", in which an external, supreme being punishes the evil for their misbehaviour and blesses the good according to their benevolence. Some would call this a recipe for anarchy: If there is no punishment for evil deeds, it might be easier to do bad; if there is no one to reward good behaviour, the motivation for being good might not be quite so strong. Yet, the model Daoist lives in such harmony with his surroundings that we must re-examine what's at play here.

The ideas of Yin and Yang can help to clarify. The Tai Chi Tu itself has a kind "dynamic" quality: it looks as though the black and white sections of the diagram are in motion. This is because Yin and Yang are conceived of as transitory forms of energy. They are thought of as continuously changing into one another. As soon as energy is transformed into Yin, it no sooner becomes Yang and so forth. This speaks to us of the fleeting nature of life and the world: no sooner has something that we find pleasurable occurred before we are subjected to some sort of suffering. Westerners tend to want to avoid suffering. We see it as some kind of punishment (fair or unfair) that a cunning or rich individual can try (and maybe succeed) to avoid. We live for the "good times", indulging ourselves in them as something we deserve and resenting moments or periods of suffering.

Daoism, through concepts of Yin and Yang, will teach us that neither the periods of abundance nor the periods of suffering can be avoided, thus it is pointless to resist either. Moreover, it teaches that a person cannot know happiness until he has known sadness, cannot know abundance until he has known lack - even the extent to which we are able to realise our abundance or want depends on the extent to which we have experienced its counterpart: someone who has known only a little sadness is not able to recognise happiness that is any more extreme than the sadness he has expreienced. Thus Daoists do not couple up resentment with suffering and euforia with thriving in the sense that these two states are opposites. Instead, they see the one as necessarily leading into the other in a neverending cycle. They do not grieve in suffering any more than they rejoice in thriving. Just like Yin cannot exist without Yang, states of suffering and thriving cannot exist without each other. Daoists attempt to endure the times of suffering, knowing that because of the suffering they will have a keener sense for the times of thriving; they attempt to experience the times of plenty without forgetting that the reason they are sensitive to what is "good" is only because they have experienced what is "bad", also remembering that these times of plenty will not last forever, yet will come again.

Finally, (and I know I haven't done this wonderfully complex philosophy any justice), let's consider the little dots of Yin in Yang and Yang in Yin. This represents that neither can exist without the other, as I've explained above. It also conveys that there is always something of the one in the other: always some dark in the light, some light in the dark, some suffering in times of plenty and some rejoicing that's to be done in times of suffering.

We've not even come to the Daoist concept of WuWei, "action without action", which is a major philosophical building block of this way of living, but perhaps this is a topic for another discussion. For now, I can refer anyone who's interested in learning more to the Dao De Jing, which is the book of wisdom for Daoists, written by the famous mythical figure Laozi (pronounced "La-u-tze"). Having studied the original texts in class for a little while, I find it difficult to link you to an internet translation that says it in the way that has been so profoundly meaningful to me. I would advise anyone with enough time to go to an original Chinese version and to use a dictionary to look up all the original meanings of the characters. That way, you might arrive at a translation or understanding that is particularly meaningful to you.

The first line of the Dao De Jing in Chinese is pronounced "Dao ke dao fei chang dao". Literally, "dao" = path, way of thought, manner, even a literal path you follow; "ke" = can; "dao" = to think, to follow, to behave a certain way; "fei" = not; "chang" = original, true. Thus, my own translation to myself is "Any way of thinking or being which can be fully comprehended or followed is not the highest form/ true nature of thinking or being. To me, it acknowledges the utter mystery and complexity of God (=Dao), without directly contradicting itself by then attempting to offer a solution or explanation!

I hope this has been helpful, but if there's anything more that anyone's wondering about, don't hesitate to comment!

27 June 2011

Benjamin Zander

Hallo almal!  Liewer laat as nooit, nè!  Toe ek oor my vriend se waardes vir die Grey Matters groep moes nadink, was ek juis pas blootgestel aan Ben Zander se manier van dink, sê en doen.  Ek het 'n DVD van hom gekyk, en toe ook sy "The Art of Possibility" gelees.  Wat my opgeval het in die clips wat ek toe die aand voor die kaggel gewys het, is die manier waarop hy ons aanmoedig om nie die game van "impressing" te speel nie, maar van "contributing".  Sonder om ons met ander te vergelyk, of pretensieus te moet wees, mag ons maar gee wat binne ons is.  Dit gryp my aan, en is ook tipies van my vriend daardie aand - hy is so iemand - onpretensieus, en iemand wat ander mense wil aanmoedig om hulleself te wees en te word.

Wat volg is my kort opsomming van 'n paar "learning points" in Zander se boekie, en dan ook die YouTube links vir die twee clips.  Johan

I was so intrigued by his method and principles, that I embarked on a little journey of my own around Zander’s work.  I found clips on YouTube and also worked through this book “The art of possibility”, and used his principles in quite a few leadership sessions I had to facilitate, and it even surfaced in a few sermons!  I would like to summarize some of the learning points from “The art of possibility” here. 
  • Any situation has at least two possible takes on it – the one of hopelessness, and another of hope or possibility.  It’s a matter of perception, which makes all the difference.  Cf a frog’s vision.  A frog can only see clear lines of contrast, sudden changes in illumination, outlines in motion, and curves of outlines of small, dark objects.  It suffices for a frog, in accordance with its needs to eat and to avoid being eaten.  Human perception is obviously much more developed, but still information are being selected, and reality is only partially taken in.  That’s where different perspectives come in.  Two shoe salesmen goe to a country to invest a possible new market.  One writes back, “Situation hopeless, they don’t wear shoes here.”  The other reports, “Send stock, nobody here has shoes yet!”  This would be the self-assessing question:  “What assumption am I making, that I’m not aware I’m making, that gives me what I see?”  After that question has been answered, ask the next one:  “What might I now invent, that I haven’t invent yet, that would give me other choices?”
  • Zander recalled dinner-table conversations.  His dad would ask, “What did you do today?”  He new his dad meant, “What did you achieve today?” and it freaked Zander out.  He felt he would never be able to accomplish and therefore impress his father as much as his siblings and he thus grew up with “an undertow of anxiety that lasted into my middle age.”  If that’s the rules of the game, you are set up for a win-lose situation with the fear of failure always lurking in the dark surroundings.  Zander decided to change the game to “I am a contribution”.  Unlike success and failure, contribution has no other side, and it is not arrived at by comparison.  Questions like “Is it enough?” and “Am I loved for who I am, or for what I have accomplished, are replaced by the joyful question, “How will I be a contribution today?” 
  • The possibility to change your life in a positive manner is illustrated by Zander in the delightful story of Sarah, an 83-year old lady who rocked up at a speaking engagement in a Jewish old age home, which Zander reluctantly agreed to.  When he got there, only Sarah was there yet, moving to her seat in the fifth row.  Zander asked, “why don’t you move to the front,” to which Sarah replied, “I always sit here!”  Zander jokingly added, “Well if you move today, perhaps something new can happen in your life!”  She grudgingly moved one row forward.  It did become eventually a joyful afternoon of story-telling and singing.  One of the ladies in question time asked in a heavily German accent, “You are ze famous Ben Zander!  Vy do you come and vaste your time on a bunch of old people like us?”  Zander admitted that earlier that day he asked himself the same question, but look what happened since!  He was searching for words, and his gaze fell upon Sarah.  “Take Sarah over here as an example.  When I came here she was sitting in the 5th row, and now she’s sitting in the 4th!”  To which Sarah jumped up, through her arms in the air and exclaimed, “You ain’t seen nothing yet, I just got started!”  And everyone applauded, not only for Sarah, but for new beginnings. 
  • Zander, an internationally acclaimed conductor of orchestras, once with a shock realized that the only person in an orchestra not making a single sound, is the conductor.  That made him realize something about leadership, namely that leadership is about letting the people around you realize (and realize) their potential. 
  • Remember rule number 6:  “Don’t take yourself so goddamn seriously!”  What are the other rules?  There aren’t any!
  • Possibility is a kind of language – you can speak “Possibility”.  That would mean being really present to the way things are, but not resigning to it.  It means firstly clearing the “should”, in other words, stop wasting time and energy about the way things should’ve been, and instead realize how things are.  Secondly it means closing the exits of escape, denial and blame, thereby staying with the way things are and the feelings you have on that.  Thirdly you can clear judgements of whether a situation is good or bad, for depending on perspective, it can be good and bad. 
  • For Zander passion is everything.  He emphasizes:  1. that you should notice where you are holding back, and let go of those barriers that keep you separate and in control, and let the vital energy of passion surge through you, connecting you to all beyond, and 2. to participate wholly and allow yourself to be a channel to shape the stream of passion into a new expression for the world.  This is where he uses his famous explanation of Chopin’s piece (Prelude op 28 no 4) to illustrate “one-buttock playing” (where the music “takes you there”) and feeling the “long lines” (finding the larger narrative, beyond the detail of everyday living).  Zander calls the decision to go to “one-buttock living” the “Beyond the Fuck-It”.  He got that from a student who realized that living within the box, will never satisfy, and therefore said “Fuck-It” and moved to one-buttock playing!
  • Zander makes much of “lighting the spark in other’s lives”.  To him the question is a personal one.  If others don’t live out their passion, he asks himself (e.g. as conductor), “Who am I being, that their eyes aren’t shining?

01 June 2011

Desiderata

This poem has been used in many different contexts and for many different purposes.  Here I hope that it expresses something about respect for one’s self and for everyone and everything around us.
Go placidly amid the noise and haste,
and remember what peace there may be in silence.

As far as possible without surrender
be on good terms with all persons.
Speak your truth quietly and clearly;
and listen to others,
even the dull and the ignorant;
they too have their story.
Avoid loud and aggressive persons,
they are vexations to the spirit.

If you compare yourself with others,
you may become vain or bitter;
for always there will be greater and lesser persons than yourself.

Enjoy your achievements as well as your plans.
Keep interested in your own career, however humble;
it is a real possession in the changing fortunes of time.
Exercise caution in your business affairs;
for the world is full of trickery.
But let this not blind you to what virtue there is;
many persons strive for high ideals;
and everywhere life is full of heroism.

Be yourself.
Especially, do not feign affection.
Neither be cynical about love;
for in the face of all aridity and disenchantment
it is as perennial as the grass.

Take kindly the counsel of the years,
gracefully surrendering the things of youth.
Nurture strength of spirit to shield you in sudden misfortune.
But do not distress yourself with dark imaginings.
Many fears are born of fatigue and loneliness.

Beyond a wholesome discipline,
be gentle with yourself.
You are a child of the universe,
no less than the trees and the stars;
you have a right to be here.
And whether or not it is clear to you,
no doubt the universe is unfolding as it should.

Therefore be at peace with God,
whatever you conceive Him to be,
and whatever your labors and aspirations,
in the noisy confusion of life keep peace with your soul.

With all its sham, drudgery, and broken dreams,
it is still a beautiful world.
Be cheerful.
Strive to be happy.
 

In waansin het ek gevra...

In waansin het ‘k gevra, o God
 vir my die vrede van die ster,
om bo die berge stil te woon,
die wêreld onder dof en ver.

Ek wou U Liggaam sien en gryp,
ek wou die see vang in my net;
ek wou U Mag vang, vang en bind
met die koperkettings van my wet.

Dan wou ek self in glorie troon,
my hof by winde en sterre hou;
ek wou met ewig-stille oë
op U en op U knegskap skou.

Vergeef die wilde dwase bee —
o God, hoe kon ek wyser wees?
Maar, moet U vlam my voorkop kroon,
ek neem die glorie en die vrees!

Vir my nie meer die dwase rus
van mense en van dag en jaar,
vir my die vlamme van U wa,
en oë wat in vertes staar.

Vir my die kruis en doringkroon,
die reise wat geen einde het,
vir my die soek wat nimmer vind,
vir my die sterre sonder wet.

o God, vir my die wilde sin,
die oë wat hul waansin noem,
om wat ondenkbaar is, te dink,
en wat onmoontlik is, begin.

Ek sal ons Wete stukkend skeur
en uitstrooi tussen sterre en maan!
Sal ek met so ’n flenterkleed
U weë, o God, U weë gaan?

So sal ‘k met naakte liggaam stap
die reis van hierdie wonderlewe,
met wonderoë in die lig
wat om my van U wonder bewe.

Daar is één heerlikheid: U sien;
daar is één rus: om U te soek;
om niet te weet – dit is U seën;
en om te vind – dit is U vloek